Artist Statement: I am working outside again in the same way I have for much of my painting life, setting up my easel and reacting to what I see with emotion and energy. I only want to be free and spontaneous and hope for the best. I never know what I am doing which, surely, […]
Root River Return by David Kherdian / Beach Hill Publications / 2015 In 1970, I was a refugee from Brooklyn living in a broken down old house in Lyme, New Hampshire. I came into the country for the same reason that many of my generation did, to heal the stresses of the lunatic sixties and […]
In painting, I don’t want to know what will happen, how it will turn out, ahead of time. I want to be surprised and delighted and I keep changing things until I come to that place. It is about “following the paint” in my way of thinking. Francis Bacon sometimes would take a blob of […]
I grew up in NYC when abstract painting was at its height, and just at the time when Pop Art was taking over the gallery walls. I was a close friend of Herman Cherry for twenty-five years until his death and I knew Bill DeKooning and many others still alive at that time, Richards Ruben, […]
I started working in the corner of my classroom at the American International School of Port of Spain, Trinidad during the two years I taught there in 2011 and 2012. It seemed to me that the students learned more from the fact of my working than from anything I could tell them. When I was […]
Standing on the edge of the highway I held a sign that said “London”. It was cold, early spring, and I was hitching from Newcastle. I was nineteen, and the year, nineteen sixty-four. At a pub that evening a Canadian guy told me, “You know, once it starts it never stops.” He was right and […]
Artist’s statement: This is a condensed survey of the plein air landscape I have done over many years in locations from Vashon Island, Washington, Vermont, Spain, and Bangladesh.They are oil paintings about 22 x 28 inches more or less. RW
Artist’s statement: I continue my exploration of the dynamic and expressive qualities of ink. Mark making, pattern making, risk taking are all part of the process. It is very difficult to correct in ink but there are ways of leading the eye. And the mistakes, the awkward places, are valuable in the “wabi way”.
Everyone can draw. It is in the genome. Drawing is one of the earliest things we know about human beings. We admire work they did on cave walls twenty five thousand years ago. Some of it is graceful and refined. Some of it is crude, raw, and expressive. I began drawing at age thirty. Before […]
Asia Air Flight 8501 In a high rise hotel in Surabaya, a quiet week waiting like so much of life, my wife makes miniatures of snacks in clay for jewelry ideas and I download Nordic Noir. A trip to the gym to stay the decline, then I dream more vividly than I live and solve […]
Drawing in ink with reed pens and brushes was how I started forty years ago. It seemed miraculous to me right from the beginning and I have never wavered in my enthusiasm for it. I happily return to it now as a compliment to the painting I do in the studio. To be out in […]
Artist’s statement: These are an experiment but I think I like it and will develop it more. They have a lasting and calming effect I think. Each is oil on canvas, about 18 x 24 inches.
Artist’s statement: These are oil paintings on canvas, about 24 x 30 inches, and represent my current approach.
Artist’s statement: I think I have finally found the approach to painting that will sustain me for a long time into the future. As I paint I think of small phrases people spoke to me or wrote to me over the years, little thoughts that meant everything without my knowing it, without them knowing it. […]
Artist’s Statement: I have not yet exhausted the possibilities hiding in the cities of my imagination. Perspective, figures moving among the buildings, in the windows, the creation of space; it is an exciting environment. And because we all are so familiar with these scenes, these buildings, I can take liberties and we still know, more […]
Artist’s statement: I am hitting my stride after a long process of learning how to paint my way, growing beyond the obvious influences and entering my own world. These city paintings of the imagination do what I want them to do: free my imagination, connect with my experience, and provide an interesting and flexible structure […]
An Old Man’s Winter Night by Robert Frost All out-of-doors looked darkly in at him Through the thin frost, almost in separate stars, That gathers on the pane in empty rooms. What kept his eyes from giving back the gaze Was the lamp tilted near them in his hand. What kept him from remembering what […]
Artist’s statement: People ask how it is that I am living in Bali and making paintings of the city; a good question. I grew up in and around New York City and lived in other cities as well. All of those early impressions, and later ones inspired by looking out at Dhaka, Bangladesh from the […]
“Honey, I am going fishing.” No answer. “OK see you later.” No answer. And it will be much later since she works late. No reason to come home early and the fishing is good at dusk. In the north country, summers are hot, sticky. A rumble way off, maybe a thunder storm later. Summer storms […]
Artist’s Statement: This is the direction I am working in now- non objective abstraction. Color is the subject but it needs a structure; not so easy in this way of working. Surface texture is important. And, beyond that one tries to create space and depth, if possible, using all the principles and elements of art […]