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TEXTURED DIALOGUE(S)
Outside Rosie's © 2005 - Eero Ruuttila Hammond Guthrie: Antiquarians are doing a thriving business with Beat-era books and memorabilia as well as documenta from the psychedelic era and rightly so, there are some fabulous left overs and used books (I wanted to say "used words") that certainly hold their own over time. Jan Herman: Gawd bless 'em, and the university libraries, too. Research librarians want primary documents for their collections -- letters, manuscripts, and artworks -- in addition to books and memorabilia. It's the historical record they're after, or as close to it as they can get it via artifacts. Hammond Guthrie: So much of what is written by today's independently living writers is published on the Internet (i.e. without hard copy), where the best and the worst of their product will never see material form. [ Adjusted Dialogue/Udo Breger: without exception everything digital lacks soul - lacking the haptic experience ] -- the form in which it might be resold as antiquarian items. Perhaps 'ours' will be one of the last generations to have an actual 'product' to pass on. Jan Herman: True enough, though it's hard to tell what "material form" will come out of the Internet. The familiar "hard copy" I love, made of dead trees, [ Adjusted Dialogue/Udo Breger: This kind of hardware -- paper -- seems to be condemned to literally die out, after having existed so and so many hundreds of years. And we'll be gone, too. Atomized back to where we came from -- back to dirt. ] , may ultimately be recast as a by-product of the Internet in some sort of lasting (and let's hope, harmless) synthetic material useful for handling purposes when the virtual format is not sufficient. This is likely to doom the antiquarian business, unfortunately, but libraries themselves will adapt. Though I dunno whether we're the "last generation," we're getting there. Alex Gross: Two years ago I was contacted by an art history grad student who was so struck by my online chapters about the artists' group I founded that he wanted to see the whole text of the book. I told him he would have to make a commitment to coming to my place and making his own xerox of the 70s typescript, which he finally did last spring after more than a year's delay. As soon as he read it, he was on top of me about helping to find a publisher for the book and even agreed to show it around it to find the right one, since he had become convinced that the book had broad, international appeal--beyond the artists' segment--as a large-scale history of the 60s. I encouraged him and even offered him part of an agent's fee if he could really come up with something workable. I heard nothing from him for several months, but then in August I received a mesage he also sent to twenty others telling us that he had to leave behind his NYC work in favor of a job he had suddenly landed, teaching art history as a visiting assistant professor at a minor college down in Georgia. Hammond Guthrie: Dedication! Yet regrettably, so many people don't seem to find the internal experience and curiosity through reading that has been handed down for centuries. I think the internet and overall frequency line -- cell phones, Blackberries, DVDs, CD-ROM, etc. are 'dumbing down' the population instead of inspiring them to explore the written word. The "word/virus" that Burroughs spoke of has perhaps come to fruition. The "word" stops here -- or does it?
Law & Order © 2005 - Eero Ruuttila Alex Gross: The subject of 60s memoirs plus the matter of online versus commercial publication is more than sufficient to provoke my reflections. Yes, products are everywhere, whether edible, drivable, or readable, & confusion has become the norm. And yes, people have been dumbed down in ways we could never have foreseen. Somewhere Kurt Vonnegut observed that until recently cultures functioned with one bard or story teller or historian for every 300 people. Now, through book & TV-movie deals, it seems to be one story teller per 30 million of population, with nothing left for the other 100,000 would-be bards to do. I wasn't brought up to believe this could become possible. I thought that really good words alone could actually break through to everyone. And of course I saw myself as capable of writing those really good words. As Ezra Pound put it via the Dao De Jing: "Real Words Are Not Vain, Vain Words Are Not Real." I never fully recovered from that notion. Jan Herman: I guess the "dumbing down" is beyond question. But I'm less certain about the impact on inspiration of and exploration by serious folks who are doing research on all kinds of subjects, whether literary, artistic, or scientific. Seems to me the Internet has invigorated the "word virus" in ways Uncle Bill once presciently reported and in others ways, too. The increasingly obvious fact that "nobody owns words" has both a positive and negative spin. On the negative side, debates about intellectual property, in terms of writers protecting their copyrighted material, often become pissing matches over plagiarized material with commercial (but no other) value. On the positive side, the spreading of information is facilitated by the principle that nobody owns words, and nowhere is this happening faster or more pervasively than on the Internet. [ Adjusted Dialogue/Udo Breger: One late night when I installed my e-postal system. Sending out my first Email to NYC and getting an answer within a quarter hour left me dumbfounded. Action/Reaction: I got out my oldest fountain pen, an Italian Omas 1934 model, which I cleaned, refuelled with ink and some soul -- and gold nib-scratched a few after-midnight letters to close friends. ] Hammond Guthrie: Writers 'on the side' (vs. working for the white christian right wing military industrial complex etc.), are for the most part neutered before they can set pen to paper [Adjusted Dialogue/Udo Breger: Everything written or printed on "dead trees" ]. So we too turn to the internet and where our 'products' are no longer "real," but virtually contained in an invisible storage tank where words can be eliminated or altered at the stroke of a key. The vast majority of works from this current generation of scribes might not exist beyond a download from hardware that is declared obsolete the moment it becomes available. Jan Herman: See above. As for being neutered, if that's true, I don't think we should blame the Internet. As to the reality of our products, well, the artifacts of history change. Once they were stone tablets with cuneiforms on them. Then they were rolls of papyrus, and so on. Whether they can be changed at the stroke of a key, shit, forged documents have always been around, and sometimes the forgeries of artworks have been as good (and maybe better than) the originals. Alex Gross: Reminds me of the true story of the anthropology grad student who managed over several years to ingratiate himself with a tribe of Native Americans in northern Michigan, one not previously investigated by scholars. Over time he was able to persuade their elders that it would be useful to them to have him record their secular habits and sacred rituals, they even came to welcome this somewhat invasive process. And he went about it in great detail over several years until he had a great store of publishable lore ready to present for his doctor's degree. Along the way he acquired a girlfriend whom he married, and the two of them finally had a heart-to-heart talk about how he would be managing to make a living sufficient to support them both and raise a family. Reluctantly he and she agreed that even a professor's salary, which he was still a few years from receiving, would not be enough. And so he simply abandoned the field of anthropology and his unfinished doctor's thesis and became an insurance salesman. Ironic but true: once again North American cultural values had triumphed over those of an ancient, indigenous people, the very values his ancestors had helped to destroy and he had set out to study and preserve. Wonder how they will greet the next grad student who comes along. The source for this story is an anthropology text I still have upstate. Thus doth modern life conspire to make products of us all.
 Triptichly Speaking © 2005 - Mort Subiet
Only Once Twice © 2005 - Mathew Tell
San Francisco Earthquake Cover
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