Empty Mirror

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About John Greiner

John Greiner is a Pushcart Prize-nominated poet. His work has been published in numerous magazines. Greiner's chapbooks, broadsides and collections of poetry and short stories include Turnstile Burlesque (Crisis Chronicles Press, 2017), The Laundrymen (Wandering Head Press, 2016), Bodega Roses (Good Cop/Bad Cop Press, 2014), Modulation Age (Wandering Head Press, 2012), Shooting Side Glances (ISMs Press, 2011), and Relics From a Hell’s Kitchen Pawn Shop (Ronin Press, 2010). His collaborative pieces with photographer Carrie Crow have appeared in galleries in New York, Los Angeles, Paris and Berlin.

The Exile Illuminated as the Native Returned: Steve Dalachinsky’s Where Night and Day Become One: The French Poems / A Selection 1983-2017

John Greiner

Where Night and Day Become One: The French Poems / A Selection 1983-2017 by Steve Dalachinsky

Where Night and Day Become One: The French Poems / A Selection 1983-2017 by Steve Dalachinsky / great weather for MEDIA / 978-0998144030 / 2018 The American artist's fascination with France has … [Read more...]

farnessity by Randee Silv, reviewed by John Greiner

John Greiner

farnessity

farnessity by Randee Silv / dancing girl press & studio / 2018 Without a doubt we are living in disorientating times and in these disorientating times we are the receptacles of a plethora of … [Read more...]

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Empty Mirror

Established in 2000 and edited by Denise Enck, Empty Mirror is an online literary magazine that publishes new work each Friday.

Each week EM features several poems each by one or two poets; reviews; critical essays; visual art; and personal essays.

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Recent features

  • My Father’s Map
  • On Waiting
  • Seeing Las Meninas in Madrid, 1994
  • Visual poems from 23 Bodhisattvas by Chris Stephenson
  • Historical Punctum: Reading Natasha Trethewey’s Bellocq’s Ophelia and Native Guard Through the Lens of Roland Barthes’s Camera Lucida
  • Panic In The Rear-View Mirror: Exploring The Work of Richard Siken and Ann Gale
  • “Art has side effects,” I said.

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