With The Passage Of Light


photo by Laki Vazakas


Robert Creeley

May 21, 1926 - March 30, 2005


Robert Creeley wrote poetry with a spare minimalism that clarified, condensed and dissolved the distance between thought and feeling, between the real world and the imagined, between language and meaning. He was often more explicit than Samuel Beckett and much more approachable, but no less dense or elusive. — Jan Herman


And when a poet dies, deep in the night,
a lone black bird wakes up in the thicket
and sings for all it's worth...

-- M. Holub. From, "Interferon."
poem/collage by Eero Ruuttila


One of America's most celebrated poets and for more than half a century a leading figure in the literary avant-garde, Robert Creeley entered Harvard Univ. in the fall of 1943, and leaving after one year to drive an ambulance in the India-Burma theatre of World War II. Returning to Harvard in 1945 he helped edit Harvard Wake, no. 5, a special E. E. Cummings issue, in which his first published poem, Return appeared. He was also an editor of the Black Mountain College literary journal, the Black Mountain Review.

Form is never more than an extension of content.
-- Robert Creeley


From Life & Death:


Goodbye


Now I realize
it was always me
like a camera
set to expose

itself to a picture
or a pipe
through which the water
might run

or a chicken

dead for dinner
or a plan
inside the head

of a dead man.
Nothing so wrong
when one considered
how it all began.

It was Zukofsky's

Born very young into a world
already very old...
The century was well along

when I came in
and now that it's ending,
I realize it won't
be long.

But couldn't it all have been
a little nicer,
as my mother'd say, Did it
have to kill everything in sight,

did right always have to be so wrong?
I know this body is impatient.
I know I constitute only a meager voice and mind.
Yet I loved, I love.

I want no sentimentality.
I want no more than home.


© Robert Creeley

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