Four from John Thomas


 

THE BELLS: A.M.

The resonant morning
silence of this room:
each note of dust
as it settles on
chair or bed or book,
chiming its own small note,
heard by no one.

The secret, perfect music
of this room.


NEW YEAR'S DAY: TO PHILOMENE

Up at six. Cereal, coffee,
pipe, dishwashing, a shower, more
dishwashing, coffee, pipe —this
brings me up to more
or less now.

Commonplace pleasures all,
and going on everywhere:
eating, drinking, smoking,
the scrubbing of dishes and of our
personal hides.

Perhaps there is even someone else,
somewhere, at this moment lying
easy in his bed and reading
Croce's History of the Kingdom
Of Naples.


No, the singularity of my morning,
its grace unique, is a room's
distance away and out of sight,
where you sit writing me
a love poem.

This is the miracle astounding, unearned.
And it is happening to no one else
in the world. No man is as
lucky as I.


THE SILENCES

Just here they float,
these splendid and
imaginary silences
wreasthed in smoke

--or not smoke, quite,
but the ghost (fragrant
with aromatic gums)
of another smoke long past.

Except in the poe, I move
more slowly than my desire.


SQUEAKING THROUGH

It has been this kind of year
(should I feel relieved
or disappointed?) in which
I haven't needed to deploy
these treats i've kept in store:
my marshmallow virtues.


© The Estate of John Thomas

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