Empty Mirror

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This High

Ben Shaberman

My first attempt at rolling a joint was rather pathetic. It looked more like a small turd covered in paper than something to be smoked. And not knowing to remove the twigs and seeds — of which it had … [Read more...]

London 1966: I.T., the Camel, and a Song Named Me

Gloria Avner

International Times launch party flyer and debut issue / image credit: http://www.international-times.org.uk/ITarchive.htm

The camel’s unexpected appearance saved me. The raggedy texture of his fur, his massiveness, and his breath were all undeniably real, no matter how bizarre the setting and cast of characters. Snaking … [Read more...]

Becoming Jill Kerouac

Amelia Hruby

map and coffee / via unsplash

It all started with the word. Not THAT word. But a word — or a string of words, rather — that struck me: There are no Jack Kerouacs or Holden Caulfields for girls. Literary girls don’t take … [Read more...]

Jenny Lynn

Lloyd Bond

Jenny Lynn

Cold wind is building and ready. It is not understood the pent feelings that have suddenly surfaced after long and even further back and then along the slow moving world and probably before the long … [Read more...]

Hear That Lonesome Whistle

Jason Hardung

Union Pacific / copyright http://foter.com/portfolio/slambo-4/

I started drinking while the Wyoming sky was pink and you could still see forever. Earlier that day I found just enough smack to keep me from being sick. It got me moving. It got me out in the sun. … [Read more...]

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Empty Mirror

Established in 2000 and edited by Denise Enck, Empty Mirror is an online literary magazine that publishes new work each Friday.

Each week EM features several poems each by one or two poets; reviews; critical essays; visual art; and personal essays.

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Recent features

  • My Father’s Map
  • On Waiting
  • Seeing Las Meninas in Madrid, 1994
  • Visual poems from 23 Bodhisattvas by Chris Stephenson
  • Historical Punctum: Reading Natasha Trethewey’s Bellocq’s Ophelia and Native Guard Through the Lens of Roland Barthes’s Camera Lucida
  • Panic In The Rear-View Mirror: Exploring The Work of Richard Siken and Ann Gale
  • “Art has side effects,” I said.

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