Empty Mirror

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Steve Aylett is Creative People’s Drug of Choice

Bill Ectric

Steve Aylett: A Critical Anthology book review

The following is a modified version of the first essay in Steve Aylett: A Critical Anthology (Sein und Werden, 2016), in which various authors discuss and analyze the work of Steve Aylett. The … [Read more...]

Book Review – Stranger Days: A Novel by Rachel Kendall

Bill Ectric

Stranger Days Rachel Kendall

Hemingway praised Paris as “a movable feast.” Henry James, in his preface to the 1903 edition of The Ambassadors, described a cliché that may or may not be true. He said “the moral scheme breaks down … [Read more...]

Book Review – Time Adjusters & Other Stories by Bill Ectric

Eric D. Lehman

Time Adjusters and Other Stories by Bill Ectric

The modern fables that make up Bill Ectric's new collection of stories, Time Adjusters, are difficult to classify, in the best way possible. They seem a comic-book mishmash of science fiction and … [Read more...]

Pete Brown, Legendary Poet and Cream Lyricist, Interviewed by Bill Ectric

Bill Ectric

Pete Brown

On June 16 ("Bloomsday"), 1964, Pete Brown gave the first ever poetry reading at Morden Tower, now a literary landmark in Newcastle, England. The Morden Tower Readings, conceived and organized by Tom … [Read more...]

Tamper by Bill Ectric, reviewed by Eric D. Lehman

Eric D. Lehman

Tamper - Bill Ectric

Tamper, the new book by Bill Ectric, frames itself as a boy named Whit's effort to comprehend his past. Did he have a prophetic dream about a bag of bones on the side of the road? Did his friend … [Read more...]

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R.I.P. Michael McClure 1932-2020

Empty Mirror

Established in 2000 and edited by Denise Enck, Empty Mirror is an online literary magazine that publishes new work each Friday.

Each week EM features several poems each by one or two poets; reviews; critical essays; visual art; and personal essays.

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Recent features

  • My Father’s Map
  • On Waiting
  • Seeing Las Meninas in Madrid, 1994
  • Visual poems from 23 Bodhisattvas by Chris Stephenson
  • Historical Punctum: Reading Natasha Trethewey’s Bellocq’s Ophelia and Native Guard Through the Lens of Roland Barthes’s Camera Lucida
  • Panic In The Rear-View Mirror: Exploring The Work of Richard Siken and Ann Gale
  • “Art has side effects,” I said.

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