Empty Mirror

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That Deadly Lord Douglas: Oscar Wilde and De Profundis

Kenton Crowther

Oscar Wilde - De Profundis

It is hard to read the letter published as De Profundis, with its account of Wilde’s disastrous life with Lord Alfred ‘Bosie’ Douglas, without laughing. From his cell in Reading Gaol, Wilde … [Read more...]

Book Review – Kenton Crowther’s Kerouac on the Binge

Denise Enck

Kerouac: On the Binge by Kenton Crowther

Kenton Crowther's latest short e-book, a 3200-word essay titled Kerouac on the Binge (perhaps rather indelicately), is not an in-depth study of the author and his work, but rather the thoughtful … [Read more...]

Book Review: Henry Miller: Ahead of the Game by Kenton Crowther

Denise Enck

Henry Miller: Ahead of the Game by Kenton Crowther

Kenton Crowther's 3100-word essay, Henry Miller: Ahead of the Game has just become available in digital form. In it, Crowther shines a little light on Miller as a writer and as a man, exploring his … [Read more...]

Book Review – How Hip Was My Alley by Kenton Crowther

Denise Enck

How Hip Was My Alley by Kenton Crowther

[Editor's note: 5/21/2014: How Hip Was My Alley has been re-titled Dad, the Times We Had: Baby Boomers in Paradise.] Kenton Crowther's previous volume, Alleycats and Beatsters, collected the … [Read more...]

Review – Alleycats and Beatsters: The Hip, the Gone, and the Way Gone

Denise Enck

How Hip Was My Alley by Kenton Crowther

Alleycats and Beatsters, a collection of essays by British writer Kenton Crowther, explores what it means to be Beat, the nature of hipness, and the poets, writers and hipsters who orbited the Beats, … [Read more...]

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Empty Mirror

Established in 2000 and edited by Denise Enck, Empty Mirror is an online literary magazine that publishes new work each Friday.

Each week EM features several poems each by one or two poets; reviews; critical essays; visual art; and personal essays.

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Recent features

  • My Father’s Map
  • On Waiting
  • Seeing Las Meninas in Madrid, 1994
  • Visual poems from 23 Bodhisattvas by Chris Stephenson
  • Historical Punctum: Reading Natasha Trethewey’s Bellocq’s Ophelia and Native Guard Through the Lens of Roland Barthes’s Camera Lucida
  • Panic In The Rear-View Mirror: Exploring The Work of Richard Siken and Ann Gale
  • “Art has side effects,” I said.

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