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Some G*ddamn Horses!: paintings by Silas Plum

Silas Plum

The Wild Woman of Karakorum (detail) - Silas Plum

These paintings will be exhibited on October 11, 2019 at Youngblood Art Studio in The Plains, Virginia. All the details are here. … [Read more...]

Some G*ddamn Horses!: Silas Plum Art Show, October 11 in The Plains, VA

Empty Mirror News

The Wild Woman of Karakorum (detail) - Silas Plum

Youngblood Art Studio presents Some G*ddamn Horses!, an exploration of the equine form featuring sculpture by Lilla Ohrstrom and paintings by Silas Plum. Wild Mongolian Horse Rider Katie Hasse will … [Read more...]

Silas Plum: Cardboard Primitives

Silas Plum

100 Percent Real Live Art (detail) - Silas Plum

The question of value underpins everything. A decent meal. A romantic partner. Expressing vulnerability in an unfamiliar way. The right brand of rechargeable batteries. In every consideration, from … [Read more...]

Silas Plum’s exhibition, Axiology: April 5-May 31, 2019

Empty Mirror News

Let's Keep a Secret! Silas Plum

The exhibition will be on display at the Youngblood Art Studio Gallery in Plains, Virginia, April 4 through May 31, 2019. It will be open to the public Saturdays from 12:00 - 4:00 or by appointment. … [Read more...]

Portals: Paintings by Silas Plum

Silas Plum

Horatio (detail) by Silas Plum

Portals is a series that captures events and people at pivotal moments. Man's introduction to Death. A great battle. The decision to analyze or to act. Each of these influence the future. And the band … [Read more...]

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Empty Mirror

Established in 2000 and edited by Denise Enck, Empty Mirror is an online literary magazine that publishes new work each Friday.

Each week EM features several poems each by one or two poets; reviews; critical essays; visual art; and personal essays.

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Recent features

  • My Father’s Map
  • On Waiting
  • Seeing Las Meninas in Madrid, 1994
  • Visual poems from 23 Bodhisattvas by Chris Stephenson
  • Historical Punctum: Reading Natasha Trethewey’s Bellocq’s Ophelia and Native Guard Through the Lens of Roland Barthes’s Camera Lucida
  • Panic In The Rear-View Mirror: Exploring The Work of Richard Siken and Ann Gale
  • “Art has side effects,” I said.

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