Empty Mirror

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White Jesus – A reflection on summer camp and Charlottesville

Todd Clouser

White Jesus -- Todd Clouser

Growing up in Kansas, from about 9 to 12 years old, I went to Christian summer camp down the highway in rural Missouri. I loved it there. We swam in creeks and caught crawfish. I played soccer and … [Read more...]

Panic Drapes the Look of the World: Literary Treatment for Anxiety in an Uncertain Age

Emily Sinclair

1. June, 2016: I was having a panic attack while I walked the dog after dinner. Children rode skateboards and scooters in that last yellowed hour before bedtime. I felt unreal to myself, and the … [Read more...]

Let’s Dance: Photographs by Russell Lee, McIntosh County, Okla. ca. 1939

Denise Enck

Russell Lee - couples at the square dance

Photographer Russell Lee (1903-1986) traveled the United States taking photos of rural life for the Farm Security Administration from 1936-1943. One night in 1939 or '40 he photographed a dance in … [Read more...]

Is Southern Art a Thing?: Thoughts from a Technically Southern Arts Writer

Sara Estes

When I woke up this morning in Nashville, I checked, as I routinely do, The Guardian, The New Yorker, and The Times. When I went to the coffee shop next to my apartment, I encountered more people from … [Read more...]

One Man, One Vote

Steven D. Stark

One Man, One Vote

It was Election Day and the lines were as long as anyone could remember. Even longer. To be sure this was the age of advanced technology so in many places people could vote on their computers and … [Read more...]

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Empty Mirror

Established in 2000 and edited by Denise Enck, Empty Mirror is an online literary magazine that publishes new work each Friday.

Each week EM features several poems each by one or two poets; reviews; critical essays; visual art; and personal essays.

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Recent features

  • My Father’s Map
  • On Waiting
  • Seeing Las Meninas in Madrid, 1994
  • Visual poems from 23 Bodhisattvas by Chris Stephenson
  • Historical Punctum: Reading Natasha Trethewey’s Bellocq’s Ophelia and Native Guard Through the Lens of Roland Barthes’s Camera Lucida
  • Panic In The Rear-View Mirror: Exploring The Work of Richard Siken and Ann Gale
  • “Art has side effects,” I said.

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