Empty Mirror

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About Danielle Rose

Danielle Rose is a poet whose work can be found in The Shallow Ends, FIVE:2:ONE, Sundog Lit, Pidgeonholes, Glass Poetry, and elsewhere. She studied with Carolyn Forché at Skidmore College and lives in Massachusetts. Her debut chapbook, at first & then, is forthcoming from Black Lawrence Press. She tweets @danirosepoet.

Two Collaborative Poems by Danielle Rose and Bailey Grey

Danielle Rose and Bailey Grey

ten / credit: de

bootcfg /rebuild i have to believe i am pulses counting to one / & so i imagine the damage a pair of wire-cutters could inflict / because i have been told the mind is a processor / & so i … [Read more...]

Little Masticated Darlings by Lannie Stabile, reviewed by Danielle Rose

Danielle Rose

Lannie Stabile - Little Masticated Darlings

Little Masticated Darlings by Lannie Stabile / Wild Pressed Books / December 5, 2019 Memory is fragile and unreliable. We know this as studies have shown a distinct relationship between the called … [Read more...]

Three poems by Danielle Rose

Danielle Rose

imminent / credit: em

aleister crowley summoned demons & all i get is this tarot telling me about how i am always in the wrong i want to become a fountain / first still stone / then bubbling water like seeping / like … [Read more...]

boy/girl/ghost by torrin a. greathouse, reviewed by Danielle Rose

Danielle Rose

boy/girl/ghost by torrin a. greathouse

boy/girl/ghost by torrin a. greathouse / TAR Chapbook Series / 2nd edition reissue 2019 It may be impossible to track down an old quote I once read, somewhere, concerning The Matrix … [Read more...]

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Empty Mirror

Established in 2000 and edited by Denise Enck, Empty Mirror is an online literary magazine that publishes new work each Friday.

Each week EM features several poems each by one or two poets; reviews; critical essays; visual art; and personal essays.

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Recent features

  • My Father’s Map
  • On Waiting
  • Seeing Las Meninas in Madrid, 1994
  • Visual poems from 23 Bodhisattvas by Chris Stephenson
  • Historical Punctum: Reading Natasha Trethewey’s Bellocq’s Ophelia and Native Guard Through the Lens of Roland Barthes’s Camera Lucida
  • Panic In The Rear-View Mirror: Exploring The Work of Richard Siken and Ann Gale
  • “Art has side effects,” I said.

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