Empty Mirror

a literary magazine

  • About
    • About Empty Mirror
    • Get in Touch
    • Support EM
    • Colophon
  • Submit
  • Contributors
  • Essays
  • On Literature
  • Poetry
  • Reviews
  • Art
  • Interviews
  • Beat
    • Beat Generation
    • Ted Joans Lives!
  • +
    • Fiction
    • Music & Film
    • News
    • On Writing
    • Book Collecting

About Lori Langille

Lori Langille studied Fine Arts at the University of Ottawa before going on to the Ontario College of Art and Design (OCAD U) in Toronto to study painting and illustration. She graduated from OCAD U's Communications and Design program with a concentration in Editorial Illustration. Since then she has worked on a freelance basis for private and public sector clients—including creating both the logo and a 13--foot-high mural for Mildred's Temple Kitchen in Toronto. Lori has also exhibited her more personal work in various spaces, most recently with the Gatherers group show at Gallery 101 in March 2019. Find her on Twitter @automatismblog on Instagram @lorilangillestudio, and at lorilangille.com.

Looking/Not Looking: nine contour drawing collages by Lori Langille

Lori Langille

mustard jar (detail) - collage drawing by Lori Langille

The Looking/Not Looking collage series features contour drawings layered with vintage 19th century images. Here the act of contour drawing, (observing an object closely and drawing it without looking … [Read more...]

DONATE TO BLACK LIVES MATTER

BLACK LIVES MATTER

The EM newsletter

Receive fresh poetry, reviews, essays, art, and literary news every Wednesday!


Empty Mirror

Established in 2000 and edited by Denise Enck, Empty Mirror is an online literary magazine that publishes new work each Friday.

Each week EM features several poems each by one or two poets; reviews; critical essays; visual art; and personal essays.

Subscribe Submissions Support

Recent features

  • My Father’s Map
  • On Waiting
  • Seeing Las Meninas in Madrid, 1994
  • Visual poems from 23 Bodhisattvas by Chris Stephenson
  • Historical Punctum: Reading Natasha Trethewey’s Bellocq’s Ophelia and Native Guard Through the Lens of Roland Barthes’s Camera Lucida
  • Panic In The Rear-View Mirror: Exploring The Work of Richard Siken and Ann Gale
  • “Art has side effects,” I said.

Books

Biblio
© 2000–2023 D. Enck / Empty Mirror.
Copyright of all content remains with its authors.
Privacy Policy · Privacy Tools · FTC disclosures