Empty Mirror

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About Margaryta Golovchenko

Margaryta Golovchenko is a poet and reviewer. Her work has been published in The Hart House Review, Acta Victoriana, In/Words, Glass: A Journal of Poetry, and Contemporary Verse 2, among others, and she is the author of two poetry chapbooks. She will begin completing an MA in art history with a Curatorial Practice Diploma at York University this fall. She can be found sharing her (mis)adventures on Twitter @Margaryta505.

The Lonesome Bodybuilder by Yukiko Motoya, reviewed by Margaryta Golovchenko

Margaryta Golovchenko

The Lonesome Bodybuilder - Yukiko Motoya

The Lonesome Bodybuilder by Yukiko Motoya / Soft Skull Press / 224 pages / 978-1593766788 / 2018 “Life’s not worth living if you’re not tending to the whims and demands of a high-maintenance … [Read more...]

The Anna Karenina Fix by Viv Groskop, reviewed by Margaryta Golovchenko

Margaryta Golovchenko

The Anna Karenina Fix

The Anna Karenina Fix by Viv Groskop / Harry N. Abrams / 978-1419732720 / 2018 The Anna Karenina Fix: Life Lessons from Russian Literature is more than your average memoir, beginning with its … [Read more...]

Dispatches from the Mushroom Kingdom by Noel Pabillo Mariano, reviewed by Margaryta Golovchenko

Margaryta Golovchenko

Dispatches From the Mushroom Kingdom, Noel Pabillo Mariano

Dispatches from the Mushroom Kingdom by Noel Pabillo Mariano / Hyacinth Girl Press / 31 pages / $6.00 Questions of the spoken/external and unspoken/internal sort are at the heart of Dispatches from … [Read more...]

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Empty Mirror

Established in 2000 and edited by Denise Enck, Empty Mirror is an online literary magazine that publishes new work each Friday.

Each week EM features several poems each by one or two poets; reviews; critical essays; visual art; and personal essays.

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Recent features

  • My Father’s Map
  • On Waiting
  • Seeing Las Meninas in Madrid, 1994
  • Visual poems from 23 Bodhisattvas by Chris Stephenson
  • Historical Punctum: Reading Natasha Trethewey’s Bellocq’s Ophelia and Native Guard Through the Lens of Roland Barthes’s Camera Lucida
  • Panic In The Rear-View Mirror: Exploring The Work of Richard Siken and Ann Gale
  • “Art has side effects,” I said.

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