Empty Mirror

a literary magazine

  • About
    • About Empty Mirror
    • Get in Touch
    • Support EM
    • Colophon
  • Submit
  • Contributors
  • Essays
  • On Literature
  • Poetry
  • Reviews
  • Art
  • Interviews
  • Beat
    • Beat Generation
    • Ted Joans Lives!
  • +
    • Fiction
    • Music & Film
    • News
    • On Writing
    • Book Collecting

About Nataliya Deleva

Nataliya Deleva is a Bulgarian-born writer living in London. Her debut novel Four Minutes, originally published in Bulgaria as Невидими (Janet45 Publishing, 2017) and then in Germany as Übersehen (eta Verlag, 2018) won the Best Debut Novel Award and was shortlisted for Novel of the Year in the most respected literary competitions in Bulgaria. Her short fiction, novel excerpts, essays and book reviews appeared in literary journals and anthologies, such as World Without Borders, Fence, Asymptote and Granta Bulgaria. Deleva recently completed her second novel. She is on Twitter @nataliedelmar.

Faces on the Tip of My Tongue by Emmanuelle Pagano: Nataliya Deleva interviews translators Sophie Lewis and Jennifer Higgins

Nataliya Deleva, Sophie Lewis and Jennifer Higgins

Faces on the Tip of My Tongue - Emmanuelle Pagano

I met Sophie Lewis and Jennifer Higgins at the launch event of Faces on the Tip of My Tongue (Peirene Press) in the cosy bookstore [email protected] The conversation unfolded in a relaxed and … [Read more...]

DONATE TO BLACK LIVES MATTER

BLACK LIVES MATTER

The EM newsletter

Receive fresh poetry, reviews, essays, art, and literary news every Wednesday!


Empty Mirror

Established in 2000 and edited by Denise Enck, Empty Mirror is an online literary magazine that publishes new work each Friday.

Each week EM features several poems each by one or two poets; reviews; critical essays; visual art; and personal essays.

Subscribe Submissions Support

Recent features

  • My Father’s Map
  • On Waiting
  • Seeing Las Meninas in Madrid, 1994
  • Visual poems from 23 Bodhisattvas by Chris Stephenson
  • Historical Punctum: Reading Natasha Trethewey’s Bellocq’s Ophelia and Native Guard Through the Lens of Roland Barthes’s Camera Lucida
  • Panic In The Rear-View Mirror: Exploring The Work of Richard Siken and Ann Gale
  • “Art has side effects,” I said.

Books

Biblio
© 2000–2023 D. Enck / Empty Mirror.
Copyright of all content remains with its authors.
Privacy Policy · Privacy Tools · FTC disclosures