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Two poems by Alina Stefanescu

Alina Stefanescu

semiahmoo tree
image credit: em

What I Sought in Bucharest, Summer of 1990

I came to talk Plotinus, Ceausescu, revolution,
was given Cioran and everything, everything

happened in the cradle of that language where I first
heard love you, soft cadences of kisses, a mother tongue.

Any fruit promised a taste of marvel, of wine or blood
who could say which if transubstantiation is possible

If I wanted both, if I wanted everything for an almighty dollar.
Teenaged boys hawked Levis and George Michael bootlegs

on linden-laced sidewalks. Sudden poets left their verse
on cafe napkins to be published by sunlight.

I wanted to know how my parents defected but
everything (everything) collaborated against accounting.

Conquered by clematis and fresh-struck diesel
I fell into love, rubbed my te iubesc over park benches.

I came to know how to leave what you
love and come back, live.
 

Ravage

clear-cut the trees that sheltered
these naked bodies
before love became a word

we were legible
saplings. limbs tangle
for less than a bloom

on my cheeks, rub-marks of
your recent stubble
leave me branded

like bark, notched down
with deer antler. who
cares if the forest is gone

in this house
we burn
branches

stitch sheets
from fallen leaves
 

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Alina Stefanescu

Alina Stefanescu was born in Romania and lives in Birmingham, Alabama. She serves as Co-Director of PEN Birmingham. Her writing can be found in diverse journals, including Prairie Schooner, North American Review, FLOCK, Southern Humanities Review, Crab Creek Review, Up the Staircase Quarterly, Virga, Whale Road Review, and others. More online at alinastefanescuwriter.com or @aliner.

Author: Alina Stefanescu Tags: poetry Category: Poetry February 15, 2019

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Comments

  1. Sam Silva says

    February 15, 2019 at 11:51 pm

    WONDERFUL EVOCATIVE NARRATIVE POETRY

    Reply

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Empty Mirror

Established in 2000 and edited by Denise Enck, Empty Mirror is an online literary magazine that publishes new work each Friday.

Each week EM features several poems each by one or two poets; reviews; critical essays; visual art; and personal essays.

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