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Two poems by Lauren Saxon

Lauren Saxon

YOU in trees
YOU / credit: D. Enck

even now, even still

I remain unsettled by the lengths we go to
     disguise our own loneliness
my focus not on the arrows – red roses
     wilting through my chest
but rather on who put them there

I am emptier than I was yesterday
     & drinking less
all with the hope that you, too,
     might starve, or at least
grow weary enough to notice the fault lines
     hidden in your palms & smile
how, even now, they fracture
     creating chasms deep enough
     to swallow the strongest sips of my joy

This idea remains—
that I won’t materialize fast enough
that this lifetime is a brief dinner toast
     dedicated to moving forward
     to moving on
     to moving
it has to be the next one
     in which the sun warms
     both sides of my face & the ground
the ground with all its cracks
     supports my weight, even still

On Sunday

I found myself in a garden
        me & nine other participants
turning topsoil & planting summer squash in
        a therapy program that preached healing in nature

chores were chosen & I picked
        watering because it was Sunday &
I like playing God —
        my artificial rain sustaining life

the most intoxicating part
        is controlling when & how the mist
intercepts the sun
        I’d stand

making rainbows & with them a space
        in which I can love, safely

I’d stand
        & remember my first time in a gay bar &
        remember the girl who dragged me there
        & remember how loud we must’ve been
        laughing to hear each other so clearly

this is how I choose to remember us —
        Together & Alive

playing God, I watered flowers that reminded me first
        of her funeral & then of her &
        then of every queer body that felt
        Homeless enough to leave it

it was Sunday & I picked watering

I made
        rainbow after rainbow, hoping
that somehow
        It might be enough
to keep us safe

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Lauren Saxon

Lauren Saxon is an engineering student at Vanderbilt University. She was born and raised in Cincinnati, Ohio and writes mostly about her experiences with race and identity. Lauren is a reader for Gigantic Sequins and her poetry is forthcoming or featured in Glass: A Journal of Poetry, Flypaper Magazine, and Nimrod International Journal. You can find her at Laurensaxon.net, on Twitter @Lsax_235, and on Instagram @Laurensaxon235.

Author: Lauren Saxon Tags: poetry Category: Poetry December 27, 2019

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Comments

  1. Sam Silva says

    January 30, 2020 at 8:47 pm

    These are truly inspired and excellent poems.

    Reply
  2. Robert Hogg says

    January 8, 2020 at 8:21 am

    Enjoyed these fine, mature poems. I was surprised to learn how young Lauren is–wise beyond her years! I also turned to listen to her on Youtube where she renders a strong self confidence in her oral performance. Here’s someone to keep an eye on.

    Reply
  3. William Perry says

    January 5, 2020 at 1:16 pm

    I really like how these two poems play off of each other going from the macro to the micro on the time spectrum. At first I was pulled in by the first poem because I felt (narcissistically) it was written especially for me being that I have a red rose tattooed on my chest (My first wife’s name was Rosa) and now 30 years later, in my golden years, I have never come up with a better way of describing what that means to me than “wilting through my chest” and then, there is the moving, how I hopscotched from continent/culture/language to the next and there it was, also riveting and succint, in this same poem. Drinking less and feeling emptier easily sums up another long saga in my own timeline. I could go on narcissistically so, but the truth be told, on further readings it is the Sunday poem (and virtually completely outside my own past experiences) that overwhelms me existentially in the tauntness between the quiet pleasantries of isolated moments versus the tragicomic trajectories in life at large. Thank you for sharing these gems.

    Reply

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Empty Mirror

Established in 2000 and edited by Denise Enck, Empty Mirror is an online literary magazine that publishes new work each Friday.

Each week EM features several poems each by one or two poets; reviews; critical essays; visual art; and personal essays.

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