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Four poems by María DeGuzmán

María DeGuzmán

forest path / credit: de
forest path / credit: de

If a Tree Falls in the Woods …

Narrow an eye
to a blade of scrutiny.
See in a flash
how a thing can cut.
Imagine the heartwood
without splitting the tree;
the fallout splicing
the atoms in everybody.

Sitting at table with you,
I watch your eyes track the objects there —
the knife, the glass, the peaches on the plate —
and feel the movements of your eyes
in the sockets of my own
as I imagine each object
return the pressure of your gaze
by taking sudden flight.

Call it appetite, if you wish,
a restructuring of desire
that turns the molecules of my mind
into microscopic spiders spinning
gossamer, rhizomorphic threads,
tiny fiber-optic tentacles tumbling
out of my eyes, my ears, my pores
and binding my vision with blade-like
silk-spun blindness
to your life
beyond any given horizon.

Late

Time perches,
steel talons,
on the nation’s wrists.

In each wrist
lies a field mouse,
trapped, twitching.

Decadence

While the earth is dying,
emotions of the deepest dye.
The color of those eyes,
Retinas irreplaceable.
A vision
supplanting the demand for proof,
the need for certainty,
the Virgin become the dynamo,
illusionistic survival in transduction,
in the transcription of light across
Septillions of miles.
Urania, you would know
the beauty of this dubious
fall of light
traveling the universe’s synapses
as a flâneur would know
the beauty of decadence,
its truth, as the world
comes to naught,
and our condition made of
laws and seeming randomness
disintegrates like ozone,
and the scene in the abyss
is glimpsed in the aperture —
a memory, the erotics of memory,
supersensual presence conjured
in the trompe l’oeil of contemplation
before the unsheltering light burns
liquid eyes, their depths, into
whitened carapaces.

Hunter Moon

Taximeter to the perimeter,
metering the immeasurable,
fire and filamentous light
in the extinct mane of your hair
haloed in shimmering blue static.
This brief October habitat,
quivering on the hypnotic edge
of time, turns on
imaginary dimes mined
from October’s Hunter Moon,
the insatiable prospectors
burning up our prospects
and seeding the atmosphere
with tornadoes and freak hail storms
in which the resolute scarecrow’s
straw tumbles through raging air.

I stop in my own tracks
under raucous crows in shattered trees
and picture the mane of your hair,
lean in to something no longer here,
warm harvest smell inhaled
against the clicking:
the latch, the lock,
the clocked and loaded

María DeGuzmán

María DeGuzmán is Professor of English & Comparative Literature and founding Director of Latina/o Studies at the University of North Carolina at Chapel Hill. Author of two books, Spain’s Long Shadow: The Black Legend, Off-Whiteness, and Anglo-American Empire (University of Minnesota Press, 2005) and Buenas Noches, American Culture: Latina/o Aesthetics of Night (Indiana University Press, 2012), she has a third book, on writer John Rechy, in production with the University of South Carolina Press.

She has published many essays and articles on Latina/o cultural production. She writes short stories and poetry. She is also a conceptual photographer who has shown in exhibitions locally, nationally, and internationally as well as a music composer and sound designer. See soundcloud.com/mariadeguzman.

Author: María DeGuzmán Tags: poetry Category: Poetry December 14, 2018

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Comments

  1. Sam Silva says

    December 17, 2018 at 4:15 pm

    the language, images, and nuances of these poems is incredible

    Reply

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Empty Mirror

Established in 2000 and edited by Denise Enck, Empty Mirror is an online literary magazine that publishes new work each Friday.

Each week EM features several poems each by one or two poets; reviews; critical essays; visual art; and personal essays.

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