You can read Part I of Nanette's memoir of growing up in 1950s San Francisco here. I begin to make a habit of snuggling down behind the Shoji screen with a "Minka." I hold my breath when my mother comes looking for me to help with the dishes. She is annoyed even before I protest. The move to the church house is a way for my parents to make a fresh start. It … [Read more...]
Dearly Beloved, Part I: Growing up in 1950s San Francisco
In San Francisco, a handsome old Lutheran Church is for sale. My "Beat Generation", progressive, bohemian, intellectual, Jewish, left-leaning, scholarly, non-conformist, art professor parents, Leonard and Helen Breger, are deeply devout prolific artists. They buy the church. It promises walls galore for hanging their growing bodies of artwork. The basement Sunday School … [Read more...]
Sleevelessness
My mom’s job is to sit on a stool in our basement. Thatʼs where her art studio is. She has a drawing table there that has a square leaned-up top and ink stains all around the edges. When she’s not making her own art, my mom draws fashion illustration ads for the San Francisco Chronicle Newspaper, and for the Joseph Magnin Department Store. She makes pictures of all the … [Read more...]
Portrait Collages by Nanette Jordan
Nanette Jordan is a multi-media "Renaissance Woman" from a family of San Francisco artists. The Smithsonian's Renwick Museum, as well as many other fine galleries, have featured Nanette's work. She is most known for her unique handcrafted sterling jewelry, her repurposed "Refunct" jewelry collections, torn collage portraits, and her non-fiction essays. … [Read more...]
On Painting On
“Why are the paintings going away?” Mommy explains: ”Your dad is having a very important one-man show at a big fancy gallery across from The San Francisco Opera House. We're going to get all dressed up and attend the opening.” I get to go and not wear my pajamas with feet. The grown-ups that belong to my friends will be there, the City Lights poets, the artists we … [Read more...]
