Empty Mirror

a literary magazine

  • About
    • About Empty Mirror
    • Get in Touch
    • Support EM
    • Colophon
  • Submit
  • Contributors
  • Essays
  • On Literature
  • Poetry
  • Reviews
  • Art
  • Interviews
  • Beat
    • Beat Generation
    • Ted Joans Lives!
  • +
    • Fiction
    • Music & Film
    • News
    • On Writing
    • Book Collecting

Two poems by Jim Richards

Jim Richards

Boundary Road - d.enck
Boundary Road / credit: de

50

It’s a crowbar someone left on the side
of the freeway after changing a flat tire
at two a.m. No one knows how that bar
worked its way to the middle of the lane
where you are speeding,
distracted by an old song.

It’s a canoe someone dragged ashore
well beyond the water, or maybe
the water has receded; either way
you cannot launch the boat alone
where you want it to rock
on a surface between two skies.

It’s the mattress you were hauling in your pickup
that flew out and is spinning on the highway
like a fallen skater in your rearview mirror,
opposed to what you used to behold
through a clean windshield:
limitless highway, with exits.

Buffalo Magic

My disappearing act was to a cabin
in Montana, which I practiced often,
but never this early in spring and this late
at night. A cursed drift of snow blocked
the gravel road, so I parked the car,
sawed myself in half to fit between
two quivering lines of cold barbed wire,
and started walking, a mile or so to go.
The shining moon was a silver dollar
that disappeared behind the fingers
of a cloud, and stars leaped like rabbits
from a giant black hat. The sagebrush
was a séance of pale, naked witches,
and lingering patches of snow glowed
like white capes shed by ancient seers.
I carried a bottle of potion in one hand,
a sack of victuals in the other, and a pack
on my back full of books—all I needed
for three days in a chair beside the fire.
I don’t tell this story to charm you
but simply because it happened to me,
and maybe it has happened to you.
Call it night’s hex: you think something
might occur, so it occurs. What if . . .
a buffalo, I chanted. And then appeared
in the darkness a few feet before me
a conjure of brown fur, hulking, breathing.
I turned to retreat and saw as in a mirror
another horned beast, another, then
another, rising from their sleepy prayers
with faces askance to fix an eye on me.
Mid-herd, the air was almost warm
and tinged with bovine musk. Faint ghosts
rose from their steaming beards. This will be
my finest performance, I thought, and right
before their eyes I turned myself into stone.

Share on X (Twitter)Share on Facebook

Jim Richards

Jim Richards’ poems have been nominated for Best New Poets, two Pushcart Prizes, and have appeared recently in Sugar House Review, Prairie Schooner, Poetry Northwest, Southern Poetry Review, South Carolina Review, Juked, Comstock Review, Cumberland River Review and others. He lives in eastern Idaho’s Snake River valley and has received a fellowship from the Idaho Commission on the Arts. Visit jim-richards.com and find him on Twitter @50beforea50.

Author: Jim Richards Tags: poetry Category: Poetry October 19, 2018

You might also like:

Addisonia / 1902
Three poems by Elizabeth Threadgill
Poetry as a Last Letter: Thomas James and his Influences Sylvia Plath and Georg Trakl by Lauren Davis
Poetry as a Last Letter: Thomas James and his Influences Sylvia Plath and Georg Trakl
third daydream / credit: em
Delayed Saleslady
Old Mill Beach / credit: D. Enck
Five poems by Laura McPhee-Browne

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

I accept the Privacy Policy

 

DONATE TO BLACK LIVES MATTER

BLACK LIVES MATTER

The EM newsletter

Receive fresh poetry, reviews, essays, art, and literary news every Wednesday!


Empty Mirror

Established in 2000 and edited by Denise Enck, Empty Mirror is an online literary magazine that publishes new work each Friday.

Each week EM features several poems each by one or two poets; reviews; critical essays; visual art; and personal essays.

Subscribe Submissions Support

Recent features

  • My Father’s Map
  • On Waiting
  • Seeing Las Meninas in Madrid, 1994
  • Visual poems from 23 Bodhisattvas by Chris Stephenson
  • Historical Punctum: Reading Natasha Trethewey’s Bellocq’s Ophelia and Native Guard Through the Lens of Roland Barthes’s Camera Lucida
  • Panic In The Rear-View Mirror: Exploring The Work of Richard Siken and Ann Gale
  • “Art has side effects,” I said.

Books

Biblio
© 2000–2025 D. Enck / Empty Mirror.
Copyright of all content remains with its authors.
Privacy Policy · Privacy Tools · FTC disclosures