Introduction This article discusses Franz Marc’s 1914 essay “Das abstrakte Theater”1 (Fig. 01), and the events surrounding an “Expressionist” production of Shakespeare’s Der Sturm planned by Marc and Hugo Ball the same year. Marc’s position in this detour from painting and writing can be understood in terms of his embrace of “die ‘Wilden’” – “the ‘Savages’” – an idea Marc … [Read more...]
Between Something and Nothing: Franz Marc’s Authorial Ether
A painter and writer who was born and lived most of his life in Bavaria, Franz Marc was one of the key protagonists in the great European debate on the nature and the goals of art at the beginning of the 20th century. Marc’s and Wassily Kandinsky’s 1911 hybrid art-book the Blaue Reiter Almanac was immediately hailed as a turning point in the practice of artists providing … [Read more...]
