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Frenchness Versus Frenchiness: Laforgue’s Translations and the “Wordly” Estate of Whitman

Carla Sofia Ferreira

Carla Sofia Ferreira - Walt Whitman Laforgue

I, too, am not a bit tamed . . . I too am untranslatable, I sound my barbaric yawps over the roofs of the world. Walt Whitman, 1855 Leaves of Grass 1848 - New Orleans: this may have been when … [Read more...]

Visionary Markings: Em Dashes and Ellipses in Walt Whitman’s “Talbot Wilson” Notebook

Tom Holmes

Walt Whitman's Talbot Wilson Notebook page

Before the appearance of Leaves of Grass, Walt Whitman kept notebooks in which he wrote sketches for lines of poetry. As Andrew Higgins points out in Art and Argument: The Rise of Walt Whitman’s … [Read more...]

“Only the Lull I Like”: Walt Whitman’s Image of Silence

Andrew Field

Walt Whitman - Leaves of Grass silence

Introduction In his chapter on “Language” in Nature, Ralph Waldo Emerson writes that “We know more from nature than we can at will communicate” (23). It is a strange sentence. It suggests a … [Read more...]

Walt Whitman and Allen Ginsberg: A Story of Influences

Alexandre Ferrere

Allen Ginsberg photo by Larry Keenan / Walt Whitman

The well-known link between Allen Ginsberg and Walt Whitman comes from both Ginsberg's readers and Ginsberg himself. One of the first explicit mentions of Walt Whitman in Ginsberg's published poetry … [Read more...]

Four poems by Walt Whitman

Walt Whitman

walt whitman 1864

To the States To the States or any one of them, or any city of the States, Resist     much, obey little, Once unquestioning obedience, once fully enslaved, Once fully enslaved, … [Read more...]

Free Speech Cantos – Michael Ceraolo

Michael Ceraolo

whitman ii collage - d.e.

Free Speech Canto XXVI Banned in Boston constitutes an epic of censorship A few excerpts from that epic: A private morality police was formed (giving away its religious base with the … [Read more...]

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Empty Mirror

Established in 2000 and edited by Denise Enck, Empty Mirror is an online literary magazine that publishes new work each Friday.

Each week EM features several poems each by one or two poets; reviews; critical essays; visual art; and personal essays.

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Recent features

  • My Father’s Map
  • On Waiting
  • Seeing Las Meninas in Madrid, 1994
  • Visual poems from 23 Bodhisattvas by Chris Stephenson
  • Historical Punctum: Reading Natasha Trethewey’s Bellocq’s Ophelia and Native Guard Through the Lens of Roland Barthes’s Camera Lucida
  • Panic In The Rear-View Mirror: Exploring The Work of Richard Siken and Ann Gale
  • “Art has side effects,” I said.

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