Not much has been written about Natasha Trethewey’s Bellocq’s Ophelia or Native Guard, and what has been written is mostly about the racial content of the poems. Quite a bit, however, has been written … [Read more...]
Readability Versus Creativity: On Susan Howe and Reading Poetry
Contemporary writing demands originality from the artists, and it requires they develop their creativity employing other means and materials in their works. With the written works, it is quite … [Read more...]
Moving Towards the Light: The Triumph of Spirituality in the Poetry of Allen Ginsberg
Note: Chapter three was previously published in Beatdom. ∘∘∘ Pre-emptive of 1960s counter-culture, in which exploded artistic self-expression and a freer way of relating to … [Read more...]
Robin Coste Lewis and A New Kind of New York
As a young girl I hated Girl Scouts. It was yet another popularity contest that I was on the losing end of, with little payoff beyond the ability to say I’d “hiked” through another bitter Syracuse … [Read more...]
Visions, Symbols and Intertextuality: An Overview of William Blake’s Influence on Allen Ginsberg
In a compilation of his personal journals, The Book of Martyrdom and Artifice,1 Allen Ginsberg recalled a particular event, which had a strong impact on his career and on his spiritual approach to … [Read more...]
Notes on the Uses of the New Lyric “You”
“It is helpful to change one’s habits to address a root cause” — S. Brook Corman1 Over the last few years, I have been noticing an increasing use of the pronoun “you” in lyric poems, when … [Read more...]
Now What’s Wrong? Reflections on Allen Ginsberg’s Cosmopolitan Greetings: Poems 1986-1992
After the accomplishments of late nineteenth and early twentieth century experimentalists Whitman, Dickinson, Rimbaud, and the Modernist poets Apollinaire, Cendrars, Mayakovsky, Stevens, Williams, … [Read more...]
Visionary Markings: Em Dashes and Ellipses in Walt Whitman’s “Talbot Wilson” Notebook
Before the appearance of Leaves of Grass, Walt Whitman kept notebooks in which he wrote sketches for lines of poetry. As Andrew Higgins points out in Art and Argument: The Rise of Walt Whitman’s … [Read more...]
In Xochitl In Cuicatl: Poets Nezahualcoyotl and Humberto Ak’abal
Intrigue & Scope There’s an old story of the amate tree bark (i.e. amoxtli or codices/scrolls with pictographs whose texts resemble an accordion). These were first elaborated as “most likely in the … [Read more...]
“Only the Lull I Like”: Walt Whitman’s Image of Silence
Introduction In his chapter on “Language” in Nature, Ralph Waldo Emerson writes that “We know more from nature than we can at will communicate” (23). It is a strange sentence. It suggests a … [Read more...]
Lemon Calls to Lemon: The Visual Poetics of D. H. Lawrence, Jack Spicer, and Robert Kroetsch
I’m intrigued by images that recur in an individual poet’s work or across several poets’ works. Rocks, for instance, have a fascinating poetic pedigree in the English language, from Wordsworth’s … [Read more...]
A Consideration of Borges’ Poetics
I read Jorge Luis Borges' This Craft of Verse in one sitting. It is a collection of six essays originally given as lectures at Harvard University in 1967-1968. The tone is easy and conversational. … [Read more...]
Revenge of the Imagist Socialist Poetry
We are the revenge of all oppressed, despised, ignored, exploited, beaten, insulted, neglected, abused, molested humans in the world as being fighters for their rights with our poems and essays. We … [Read more...]
